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Mulheres Radicais - Pinacoteca do estado de São Paulo - São Paulo - Brazil, 2018

Sex War Dance, 2018

Rouge, 2018

Photo: Edouard Fraipont Lipstick paste on popcorn trolley 185 x 126 x 70 cm

Earth, 2017

blue LED strip and metalic structure 438 x 1680 cm Pedra no Céu: Arte e a Arquitetura de Paulo Mendes da Rocha, Museu Brasileiro de Escultura e Ecologia – São Paulo – Brazil, 2017

Modos de Ver o Brasil: Itaú Cultural 30 Anos - 2017

The Photographer - Kunsthalle Bratislava – Bratislava - Eslovakia, 2017

Radical Women: Latin American Art - Hammer Museum – Los Angeles – EUA, 2001/2017

Arte à mão armada – Chácara Lane – Museu da Cidade – São Paulo – Brazil, 2016

School Stairs, 2016

metalic structure 240 x 460 x 190 cm Arte à mão armada – Chácara Lane – Museu da Cidade – São Paulo – Brazil, 2016

Listen, 2000/ 2016

Arte à mão armada – Chácara Lane – Museu da Cidade – São Paulo – Brazil, 2016

Lightinig Bolt, 2016

tubular light bulbs and acrylic tubing Ø 5 x 500 cm Um, Nenhum, Muitos – Galeria Vermelho – São Paulo – Brazil

Extras, 2016

LED panel 114 x 233 x 10 cm Um, Nenhum, Muitos – Galeria Vermelho – São Paulo – Brazil, 2016

Extras, 2016

LED panel frames

Bison - from the Band series, 2016

graphite and ecoline on paper 50 x 55 cm

13 Passerby, 2016

video - color - no sound 4'47'' Um, Nenhum, Muitos – Galeria Vermelho – São Paulo – Brazil

Extras, 2014

LED panel

Band series, 2016

series of 78 drawings in graphite and ecoline on paper Um, Nenhum, Muitos – Galeria Vermelho – São Paulo – Brazil, 2016

Komodo Dragon - from the Band series, 2016

graphite and ecoline on paper 39 x 53,5 cm

Darlenes, 2014

2 automatic barriers and tissue Um, Nenhum, Muitos,Galeria Vermelho. 2016.

Migrants, 2014

Enameled iron plates Carmela Gross: Marapé, Projeto Parede, Museu de Arte de Moderna (MAM SP), São Paulo, Brasil. 2014. Name, surname, age, country of origin and date of arrival in São Paulo. Data that fills the registration forms of several immigrants who arrived in the state in the mid and late nineteenth century serve as content to Marapé. The piece uses different metal plates signs with names and information about immigrants mixed with other geographic names in Tupi to illustrate the history and the miscellany that formed the São Paulo population and the language we use, enabling a broad view on the presence and influence of immigrants in Brazilian society.

Marapé, 2014

Stairs – Casa França-Brasil – Rio de Janeiro - Brazil, 2013

Photo: Sérgio Araújo

Stairs – Casa França-Brasil – Rio de Janeiro - Brazil, 2013

Photo: Sérgio Araújo

Ladders, 2012

Installation Industrial ladders and white fluorescent lamps view of Projeto Vão, SESC Belenzinho, São Paulo - Brazil - 2012

Against the Wall – Galeria Vermelho – São Paulo – Brazil, 2011

Photo: Rafael Canas

Against the Wall – Galeria Vermelho – São Paulo – Brazil, 2011

Photo: Rafael Canas

Illuminations, 2010

66 turning signal lights Intervention at the perimeter of Estação Pinacoteca - São Paulo - Brasil - 2011

Illuminations, 2010

detail

Art Under Arms, 2009

printed paper 285 x 390 cm

For Sale, 2008

Light panel, aluminium and acrilic 330 x 1350 x 100 cm View on Estação Pinacoteca - São Paulo - Brasil - 2010

A House, 2006

Fluorescent lamps and 22 metal tripods. 3 mx 3 mx 2 m View on Gabinete de Arte Raquel Arnaud - São Paulo - Brasil - 2007

Flesh, 2006

bus-installation Coating with adhesive vinyl, paint and fabric on the bus body Arte-Passageira project, Centro Universitário Mariantonia, São Paulo

Sex War Dance, 2006

Neon 51,5 x 67,2 cm

Cascade, 2005

Concrete and iron 900 m² approx view of the work in the 5th Mercosul Biennial, Porto Alegre [RS], 2005

Cascade, 2005

Concrete and iron 900 m2 approx view at the 5th Mercosul Biennial, Porto Alegre [RS], 2005.

Aurora, 2003

tube lamps GROLUX 3 m x 30 m Installation presented at Paço IMperial, no Rio de Janeiro, as part of the project Atelier FINEP from December 2003 to February 2004 and in Galeria Olido in Sao Paulo, from September to December 2004. A new version of the work was presented at the 2nd Biennial of Contemporary Art, Moscow, February-March 2007.

Ferry Hotel, 2003

back light, mirrors and moving platform on rails. 3 m X 24 m X 6 m view at the exhibition Carmela Gross - a body of ideas, Estação Pinacoteca, São Paulo, Brazil. 2010.

Ferry Hotel, 2003

light boxes, mirrors and moving platform on rails 570 x 2400 x 790 cm

Hotel, 2002

luminous board in iron structure 3,3 m x 13 m Installation presented at the XXV International Biennial of São Paulo, Brazil. Photo by João Nitsche

Hino à bandeira, 2002

pink sheets 12 m X 18 m View in the exhibition Matéria Prima. Oscar Niemeyer Museum, Curitiba, PR, Brazil. 2002-2003

Hino à bandeira, 2002

pink sheets 12 m X 18 m View in the exhibition Matéria Prima. Oscar Niemeyer Museum, Curitiba, PR, Brazil. 2002-2003

I am Dolores, 2002

fluorescent light bulbs and metalic structure 300 x 2500 cm Arte à mão armada – Chácara Lane – Museu da Cidade – São Paulo – Brasil, 2016

I am Dolores, 2002

fluorescent light bulbs and metalic structure 300 x 2500 cm Arte à mão armada – Chácara Lane – Museu da Cidade – São Paulo – Brazil, 2016

Frontier, Fountain, River Mouth, 2001

portugues mosaic 1600 m² view in Laguna, Santa Catarina, Brasil

Fronteira, Fonte, Foz, 2001

portuguese mosaic 1600 m² view in Laguna, Santa Catarina,Brasil

The Photographer, 2001

Carmela Gross: The Photographer - Kunsthalle Bratislava – Bratislava - Slovakia, 2017

28 Operations,1999

fabric and iron sticks variable dimensions

Em vão, 1999

Elastic bands and metal clips 300 m vista of the exhibition Espaço Aberto; Oficina Cultural Oswald de Andrade, São Paulo - Brasil - 1999

Em Vão, 1999

Elastic bands and metal clips 300 m

Close the door, 1997

articulated iron, coated with wax and graphite variable dimensions

Close the door, 1997

articulated iron, coated with wax and graphite variable dimensions

The Negress, 1997

nylon bobbinet and iron frame on wheels 330 x 200 x 200 cm

Island I,1995

Iron and elastic, dimensions variable

Island I [detail],1995

iron and elastic variable dimensions

Wing, 1995

articulated iron, fabric and bitumen 1,14 m x 2,72 m x 0,20 m

Holes, 1994

Installation view at Arte Cidade I, Matadouro Municipal de São Paulo, 1994.

Knives, 1994

1300 pieces of ceramic variable dimensions

Knives, 1994

1300 units of ceramic variable dimensions

White knives, 1194

150 pieces of porcelain variable dimensions

Propeller, 1993

oil paint on wood chip with wall articulation 200 x 40 cm

óf the series Compacto,1992

acrilic on wood 0,60 m x 0,20 m

graphite on wood 1,70 m x 1,20 m x 0,50 m

acrilic on wood Ø 1,40 m x 1,60 m x 0,50 m

Untitled, 1992

81 fragments of wood, laminated aluminum, fabric and paraffin. Installation in the Capela do Morumbi, São Paulo, Brazil - 1992

Ham,1968

canvas upholstery 300 x 180 x 50 cm

Untitled, 1992

detail

Arco, 1988

of the series Pintura-Objeto stones 1 m x 2 m

The Load, 1968

Canvas and iron structure 250 x 300 x 500 cm

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Languages

December

. CARMELA GROSS